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The nations release the substance CW-7 with the intention of controlling global warning, but accidentally it results in another Ice Age destroying Earth. The only survivors live in the train Snowpiercer which is driven by a perpetual motion engine created by the millionaire Wilford (Ed Harris) that lives in the engine part. In 2031, after seventeen years, there is a fight of classes inside the train since the oppressed lower class lives in dreadful conditions in the last wagons of the train while the elite lives in the front wagons. The lower class is fed with protein bars only; they are oppressed and punished by Minister Mason (Tilda Swinton) and her brutal guards; and their children are taken every now and then when they reach a certain height. The leaders Gilliam (Sir John Hurt), Curtis Everett (Chris Evans), and Edgar (Jamie Bell) are plotting a scheme to reach the engine and talk to Wilford about their conditions using the addicted security engineer Namgoong Minsoo (Song Kang-ho) and his clairvoyant daughter Yona (Ko Asung) that are imprisoned to open the locked doors. When the son of Tanya (Octavia Spencer), Tim (Marcanthonee Reis), is captured by Mason, they decide to execute their plan. There are many casualties and soon Curtis discovers that they have been manipulated by Wilford to balance the resources in the train, and why the magnate keeps the lower class alive
rating 298528 Votes
Release year 2013
Genres Sci-Fi
tomatometer 8 / 10 stars
South Korea
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Watch Buzqiran 2013 Full Movie Online Free HD at home jobs. Watch buzqiran 2013 full movie online free hd at home games. Watch buzqiran 2013 full movie online free hd at home run. Watch buzqiran 2013 full movie online free hd at home tv. Watch Buzqiran 2013 Full Movie Online Free HD at home business. Seeing Snowpiercer earlier this year left me exhausted in the best possible way. Not since City of Lost Children, the Caro/Jeunet film from twenty years back, has such outrageous, blatant and spectacular design been implemented for a film of this magnitude. Joon-ho Bong, one of the mavericks of the new South Korean cinema (one of his fellow greats, Chanwook Park, produces this film) decided it was time to step up to a (mostly) English-language production, adapting a graphic novel from France that wasn't super well-known but original enough to give him creative space, and even taking on a co- writer with Kelly Masterson. The results are, for me, a filmmaker taking a giant leap into making an experience full of things to think about, the train itself as a metaphor for life, and rising above the conventions into something that is visceral, stimulating, and ridiculously full of talent in front and behind the camera.
How is this conventional? Well, take the basic elements of the story: the environment has become unsustainable for human life, a large portion has been wiped out due to climate change (in this case, and of course timing is everything when there's even a slightly satirical element and this has that) and the only human survivors are on a train designed by 'Wilford' an enigmatic designer of this train system that goes around the world and has created a system for people to survive. some more than others. The thrust of the story comes with Curtis (Chris Evans) along with his mentor Gilliam (John Hurt, the name a play on the director who this also pays homage to) plotting and executing a revolution - to the front of the train.
We've seen post-apocalypse/dystopia movies before - hell, 2014 seems to be chock-a-block with them. What sets Snowpiercer out from the pack of a specific vision and boundless creativity with the designs of the sets, the designs of the characters, how much everyone COMMITS to this whole setting, and yet there is still room for Bong's level of super-dark humor. It's fitting that the movie features as its Korean actors Kang-ho Song and Ah-sung Ko, previously seen in the director's The Host; that too was a serious movie about a monster destroying a population, but he never lost a moment to get something in that was over-the-top or ridiculous, and yet, like a crazy conductor that is just so brazen and confident in his capability makes the tonal shifts work for the material.
Case in point is a set piece with Allison Pill as a 'school-teacher' I put quotes because, well, it's an insane scene) where she indoctrinates children about the history of Wilfred - this is massively clever as well, giving exposition but in a way that is organic to the story and part of the nature of the scene - and she sings a song and the camera circles with her and then in another beat guns come out and bullets start to fly. This is the kind of scene that, maybe by itself, feels like really bat-s. But within the framework Bong has set up, with his characters kind of going through a train that is itself a metaphor - but a skillful one - for life bottled into different castes and classes, it's brilliantly done and, often, very, very funny.
And surprising as well is Evans; in the Marvel films he showed he can portray a dramatic character well enough, though a character that works best when reacting and having to show his strength against the odds. It is and it isn't too hard to play. But here, Evans has to play the leader, but more conflicted, with more put in his way, and a very dark, troubled past just by the way people have been treated in the 'back' for so long. So that by the time it gets to 'his' scene, he has been so much into this Curtis guy that he can stand up there with the older/more seasoned character players - John Hurt, Tilda Swinton (my GOD is she great here) and Ed Harris, who has the kind of 'Wizard of Oz' role but plays it so straight and sort of down-played that it makes the exposition much better than could've been expected.
I may have neglected to mention that past the drama and conflicts of the science fiction side of the piece, of going from car to car to car to get to the front and the different environments. it's a kick-out-the-jams action flick. Boy is it! It's interesting that Park is a producer, as Bong attempts nothing less than rising up to the likes of the Oldboy hallway set piece as far as plotting/executing/staging a unique, bone-crushing, heart-pounding action sequence. And damn if he didn't succeed. Snowpiercer in general comes up to the ranks of the best genre art by how it recognizes what's familiar, finds new and creative ways to get to its messages, and makes all of the characters alive and with at least some dimension (maybe some more than others, but all with *presence* which is a key here with, say, the man who is practically the Terminator but in human form) and makes an impact.
Are there some logical questions to be had with some things about the train itself? Sure - it may be unrealistic, naturally, to even think this train could go on so long on tracks (who does the maintenance work on the tracks, is that ever mentioned. But ultimately, Bong says 'why carp? Go for the ride, and it's one of the illuminating greats in years.
I get the reflection about society's partition, the critique on inequality and all. I could even get on board the idea of an post apocalyptic frozen world with the remaining society living on a perpetual motion machine. But the plot holes and inconsistencies are so much, that takes away your attention of the history they are trying to tell. To say without given up too much about, many scenes seem to disregard somethings that happened few minutes earlier. And even the characters are, many times, very inconsistent about their reactions and ideas.
Looks to me like a script that had potential, but lost it somewhere.
After all, I think it's a well made film, if you don't mind the constant question mark face it going to leave on you.
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